Judge Marie’s BFX Survival Guide

WHEW!!!!!

It’s a wrap and I’m still in the air after the wonderful Festival!

Skipped Walkyrie  as did Annie May De Bresson, for the final concert, best choice we  ever made. Sasha and I ducked out of the PBO booth at the exhibit to watch USA tie England in the world cup match.

My only regret is that I missed some great concerts because of my inability to clone myself. The EMA conference was top notch, and the last session for singers left everyone raving about how good Jeffery Thomas was (no surprise). La Foolia was the perfect end to a lot of serious listening.

Next Festival I’ll remember to add a fan to my back pack, and make reservations ahead at Musical Offering.

Congratulations to everyone in this wonderful Bay Area early music community…WE DID IT!  This BFX Ten (20th anniversary Berkeley Festival) was a true celebration of the glory and splendor of the music we love.

See you around.

Judge Marie’s BFX Survival Guide

Today marks the mid-point of this 20th anniversary Berkeley Festival and the beginning of the Berkeley Festival Exhibition & Music Marketplace, the EMA National Conference (400 Years of Vespers) and the opening performances on the BFX Main Stage.

Be sure to pick up a copy of the Reader, for detailed main stage program notes, artist bios and the most complete printed guide to the Fringe ($8.00/$5.00 SFEMS & EMA members) at the Cal Performances/BFX Ticket Office, at the SFEMS table inside the Exhibition or at any Main Stage performance.

I have been looking forward to the opening of the Main Stage for weeks. AVE will be performing Gesualdo today (5:00pm at St. Mark’s) and at 8:00 the glorious sounds Sackbuts along with Paul Elliott and Nigel North.  I love the contrast from the dark, mysterious brooding’s of Gueualdo to the light of San Marco and the Venetian Double Choir in one evening.

All of this and more on the Fringe.  So much I can’t choose.  The Wildcat Viols (noon at St. Mark’s), Harmoniia Flece with Elizabeth Blumenstock, Katherine Kyme, Katherine Heater and so many other fine players and singers (also noon, at Trinity).  Also at Trinity this afternoon (3:00pm) a chance to hear on one featured clavichord performance; Henry Lebedinsky, clavichord.

Oh it is just so much…no time, GOT TO GO!!!  See you at the BFX Main Stage!

Judge Marie’s BFX Survival Guide

Well cleaned up the house after my birthday celebration and I am ready for another wonderful day exploring BFX Ten.  I will definatetly drop in at the all day Marais-a-thon being produced by Barefoot Chamber Concerts to day at St. Mark’s and then I will be off for an afternoon of harpsichord music.  Three fabulous concerts to chose from Rebecca Pechefsky and Janine Johnson are playing solo!   I am intrigued by GLOSA: Virtuosic Embellishment & Florid Ornamentation of the Late Renaissance and tonight I will have a big decision to make Haydn’s Jukebox performed by the New Esterhazy Quartet or the San Francisco Renaissance Voices.

What a day!  See you around.

Judge Marie’s BFX Survival Guide

It is my birthday and what better way to celebrate than by experiencing the BFX Fringe.  Yesterday I was able to enjoy Lattes with Landini at the Musical Offering (our BFX Information Center) and a delightful program given by the USC Thornton Baroque Sinfonia and Collegium Musicum.

Anyway, on to today’s concerts.  Almost to many to choose from; Tish Berlin, Yoko Tanaka and David Morris will be wonderful this afternoon at 4:00 (Trinity)  Canconier sounds like a terrific program this evening  (Music Sources) and of course the wonderful women of WAVE (Women’s Antique Vocal Ensemble) tonight at St Marks.

Tip 7
You can find a full listing of Fringe events for FREE at the Musical Offering and at Fringe venues around town but for the full details on the Fringe it is best to buy the READER.  Check it out you. The Reader makes a wonderful BFX Ten souvenir but more than that it has the full Calendar of festival events, detailed main stage program notes, artists bios, a guide to the exhibition and the Fringe.  The Reader is well worth the investment.  Get it at the Musical Offering or at the Cal Performances/BFX box office.

Festival Finale – Vespers in Venice from Monteverdi to Vivaldi

The Berkeley Festival & Exhibition Finale will be a celebration of the extraordinary repertoire of music composed by Venetian composers for the elaboration of the office of Vespers during the century following the publication of Monteverdi’s monumental Vespro della Beata Vergine in 1610. The concert will feature works by twelve composers performed by Archetti, ARTEK, AVE, Magnificat, the Marion Verbruggen Trio, Music’s Re-creation, and ¡Sacabuche! Interest in the Berkeley Festival Finale is very high and the concert may sell out. Tickets are still available at this link.

Though the music in Monteverdi’s 1610 collection was composed while he was in the service of the Duke of Mantua, it served to display his mastery of the sacred genres and contributed to his appointment in 1613 to the most prestigious musical position in Europe: maestro di cappella at the Basilica of St. Mark’s in Venice. Monteverdi’s colleagues at San Marco, and the illustrious series of musicians that followed him in the position of maestro, dedicated the finest fruits of their talent and skills to the ornamentation of the Vespers liturgy, the primary venue for elaborate sacred music throughout the seventeenth century. The Finale program will explore the ingenious ways that these composers integrated the evolving compositional styles of the seventeenth century in setting the ancient, unchanging texts that make up the Vespers liturgy.

Having escaped the brutal demands of his employment as a court composer at the Mantuan court and secured a position as a church musician in Venice, Monteverdi apparently saw no need to publish sacred music and it was only at the very end of his long life that he assembled the magnificent Selva Morale et Spirituale. Similar in construction to the 1610 collection, but significantly larger in scope, it includes a setting of the Mass ordinary, settings of all the psalms required for major feasts (in some cases multiple settings in different compositional styles,) a Magnificat, and several hymns, as well as a handful of motets and spiritual and moral songs for various combinations of voices and instruments. As with his 1610 collection, Monteverdi again achieved a standard of opulence achieved by few before and after. The setting of Laudate pueri on the Finale program is an example of the concertato style in which music for solo voices, ensembles and instruments (in this case two violins) are juxtaposed to provide textural variety and create a cohesive structure. Continue reading “Festival Finale – Vespers in Venice from Monteverdi to Vivaldi”

Vibeka Lyman, harpsichord

A TRIP TO FRANCE: L’Art de Toucher by Francois Couperin

Vibeka has just returned from a year long trip to France. She studied harpsichord there with her teacher, Olivier Baumont, and enjoyed many wonderful, cultural experiences both in Normandie and Paris. This concert wishes to take the listener on a musical journey through expression into the beautiful culture of France. From learning from Mr. Baumont she has felt a renewed knowledge of French music which she wishes to share in the gorgeous work, L’Art de Toucher by Francois Couperin. Come and enjoy a full concert of peace and tranquility followed by a Chinese banquet and reception!

Tickets: 15.00-10.00 students and seniors

Date:
Sunday, June 13, 2010
Time:
7:00pm – 8:00pm
Location:
St. Alban’s Episcopal Church
Street:
1501 Washington Avenue
City/Town:
Albany, CA

LES VIOLETTES

Demons, Surgeons, & Bells Bells Bells…

Mythical, Morbid, & Macabre music of the (mostly) French Baroque. The program includes “Le Tableau de l’Operation de la Taille” and “Sonnerie de Ste. Genevieve du Mont de Paris” by Marin Marais, and the cantata “Médée” by Louis-Nicolas Clérambault.

LES VIOLETTES
Corey Carlton, voice; David Wilson, violin; Colin Shipman, viola da gamba; Violet Grgich, harpsichord

Tickets: $15; $10 students, SFEMS members, EMA members
Contact 510 326-4916 or dkwilson415@sbcglobal.net

Date:
Sunday, June 6, 2010
Time:
4:00pm – 5:30pm
Location:
Loper Chapel @ First Congregational Church
Street:
2320 Dana (at Durant)
City/Town:
Berkeley, CA

THREE TRAPPED TIGERS RECORDER ENSEMBLE at the Fringe

“MY NOTES ASCEND INTO THE AIR” pre-modern music for post-modern ears and vice versa

Duos and trios by Jim Wilson, John Baldwine, Tom Bickley, Pauline Oliveros, Francesco Landini and more.

Three Trapped Tigers is an ensemble of recorder players whose core members are David Barnett and Tom Bickley. Their first performance was on 21 June 2003 as part of the Garden of Memory Summer Solstice Concert at the Chapel of the Chimes in Oakland, CA. Their concerts reflect their varied musical interests. They strive to present the kind of concerts that they would like to go to and hope you enjoy it too!

THREE TRAPPED TIGERS RECORDER ENSEMBLE:
David Barnett and Tom Bickley with special guest Tiger, Judy Linsenberg

Tickets: $15 general, $10 SFEMS members/seniors/students/disabled
Contact (707) 827-3724 or damabarn@aol.com

Date:
Sunday, June 6, 2010
Time:
2:00pm – 3:00pm
Location:
TRINITY CHAPEL
Street:
2320 Dana (at Durant)
City/Town:
Berkeley, CA

The Artists of BFX TEN – Meet AVE

This years Berkeley festival is all about the music but it would all be nothing without the talent, dedication and hard work of so many artists.

MEET AVE

Don’t miss their BFX performance of:

Gesualdo’s Tenebræ Responsoria

June 10th
5 pm, St. Mark’s Episcopal Church
$35 general admission / Read the SFCV Preview

Jonathan Dimmock (artistic director) founded AVE in 2004 and loves working with the exceptional singers in the Bay area. A Grammy winner, he is well known internationally as an organist and has recorded more than 30 CDs. He has held musical posts at Westminster Abbey in London (Organ Scholar), the Cathedral Church of St. John the Divine in New York City, and St. Mark’s Cathedral in Minneapolis, and he currently serves as organist for St. Ignatius Church, San Francisco; Lafayette-Orinda Presbyterian Church; Congregation Sherith Israel, San Francisco; and the San Francisco Symphony. He is co-founder of American Bach Soloists and founding President of Art to the Nations, using music in international conflict resolution. He is deeply committed to healing our broken world through the beauty of music and talks eagerly on  the subjects of spirituality, psychology, aesthetics, and the arts.

Tonia D’Amelio (soprano) has been singing with AVE since 2005. A native of New York City, she specializes in music of the Renaissance and Baroque, with experience as an ensemble singer as well as on the operatic and concert stages. She and her husband, Chris, often work together to present sacred music—from Gregorian chant to large-scale concerted works—in liturgical
settings, in both the Catholic and Anglican traditions.

Edward Betts (tenor) has performed with Artists Vocal Ensemble since its inception in 2004. While not singing around the Bay Area, he spends his time hanging out with Pepper the Wilder Poodle and training for the next cycling event. He’s ridden twice in the AIDS/LifeCycle, and is currently preparing for AMBBR at Lake Tahoe and the MS Society’s Waves to Wine 150. Mr. Betts and his fiancée, Elena, are both computer programmers in the East Bay.

Shauna Fallihee (soprano) is pleased to make her first appearances with AVE. As an operatic and concert soloist, she has been heard in pieces spanning Monteverdi to new works composed for her voice. Ms. Fallihee maintains a private voice studio and is a voice clinician for numerous schools and choral organizations. As an Oakland native, she is delighted to share her passion for singing with the next generation of Bay Area singers.

Joshua Henderson (baritone) is new to AVE, but has been singing professionally in the Bay Area since 2004. The son of an operatic soprano and a church organist/jazz pianist/Ives scholar, Mr. Henderson’s path to a career in music was clearly marked. And so he first chose to become an attorney. He continues to practice law, all the while singing and being the father of three young children.

Pam Igelsrud (soprano) is excited to be singing her first concert with AVE. She grew up in a musical family in Syracuse, New York, and has been in California for almost three years. She teaches voice privately and at the Community Music Center, sings in various groups around town, and works at Sustainable Conservation. She has a really awesome cat named Nashira and enjoys reading all sorts of interesting books.

Jeffrey Keim (tenor, countertenor) began performing with AVE in 2009. He is employed as an IT consultant and his current/ongoing passions include Mad Men, foreign policy, learning foreign languages, and Paulette’s macarons.

Carol Kessler (soprano) is in her fifth season singing with AVE. She is passionate about singing the repertoire of Baroque music, as well as the lieder repertoire of composers dedicated to the Art Song tradition. Competing on a Masters Swim team keeps her fit for her active schedule as a soloist and recitalist, as well as maintaining a private voice and piano studio. She also makes music with her at-home quartet: her toy poodle, two cockatiels, and an umbrella cockatoo.

David Kurtenbach (tenor) first encountered Gesualdo when he joined AVE in early 2009 and immediately fell in love. He is fascinated with language and has studied languages as far afield as Norwegian, Hungarian, Japanese, and Classical Tibetan. He spent a recent summer traveling to 22 countries, including a month in the arctic, and is appointed Chorus Master at Opera
San Jose.

Rita Lilly (soprano) is a native of New York who moved to the Bay Area in 2000. After becoming the soprano with the Waverly Consort in New York, she has continued to pursue her passion for early music. Ms. Lilly has performed professionally for over twenty years as both a soloist and choral singer, and has been a member of AVE since its inception. She resides in the Bay Area with her husband, Nitash Balsara, a chemical engineering professor at UC Berkeley, and her two children, Sonya and Matthew.

Naomi Lopin (soprano) has been singing with AVE since October 2009, after relocating to San Francisco from New York City, where she lived and sang professionally for twelve years. She currently performs in the Bay Area and teaches voice students in her home studio. When not singing, Ms. Lopin enjoys spending time outdoors, and playing Scrabble.

Clifton Massey (alto) is pleased to join AVE for a third (fourth?!) season, especially to perform music of the murderous prince, Carlo Gesualdo. A native of Dallas, Texas, Mr. Massey often performs with area choral ensembles and frequently performs solo work in oratorios and small group ensembles. Vocal coaching is a particular passion, with voice studios in Oakland and Lafayette. Exploration of the various Bay Area microclimates is one of his favorite weekend hobbies, with growing the ultimate tomato as a personal goal.

Robby Stafford (bass) is a San Francisco native who loves to sing opera, early music, karaoke, and his original songs (often performing as his alter ego, Simkin the Swagger). Having moved away from the Bay Area many times (for schooling in Oberlin, working in New York City and Amsterdam, and family/sanity in West Virginia), he keeps coming back, and thinks he just might stay this time. Mr. Stafford and Mr. Dimmock having been working together since 1994, and Mr. Stafford has been singing regularly with AVE for three years.

Judge Marie’s BFX Survival Guide

Judge Marie (known around town as The Hon. Marie Bertillion Collins or sometimes just as Marie Collins) is getting ready for the festival and she has volunteered to offer us helpful hints as to how to make the most out of our total BFX Ten experience. The Berkeley Festival is, after all, a bit daunting, so many concerts (almost 70 at last count) and so little time.

What to do, where to go, what to bring? ASK Judge Marie!

HERE SHE COMES! So Get Ready.

Well, I just got out my copy of the score of the Monteverdi Vespers, got out a tote and a backpack and, here it is my first tip:

I went to Trader Joe’s. No endorsement here (although I wish I had thought of that) anyway, I bought “just a handfull” packs of trail mix, and almonds. I also bought cheese curds and packaged string cheese. We will see, but I just may add fresh apricots, or a few cherry tomatoes; I never stop for lunch, I always prepare a quick snack each day so I won’t miss noon events. But if you forget to pack lunch, Well…

Read More BFX Survival Tips

"The Berkeley Festival & Exhibition has become a remarkable institution on the American musical scene." The New York Times